Maxx fully loaded
Maxx fully loaded
Maxx fully loaded is the basic model four input/ 2-channel recorder loaded with the following options:
- Four channels of AES/AES42 in with sample rate conversion
- Two channel transmitter with time code option (must specify transmitter block)
- Six channel recording option
Main Benefits
- Four full size XLR analog mic/line level inputs with 48 V Phantom power that incorporate the Zaxcom Nomad’s microphone preamps with NeverClip™
- Two-channel output bus over two sets of output connectors (XLR and TA5) that can be individually configured as line, mic and consumer output levels.
- Two-channel balanced monitor return and mono & tape outputs
Description
The Maxx is a powerful new tool for your sound bag. It’s an audio mixer, recorder, 2-Channel wireless transmitter, timecode reader/generator and visual timecode slate – all in one small package.
Audio Mixer
Maxx has four full size XLR analog mic/line level inputs with 48 V Phantom power that incorporate the Zaxcom Nomad’s microphone preamps with NeverClip™ (patent pending). NeverClip™ prevents input clipping by using two A-D converters for each input channel providing enhanced dynamic range allowing an input to exceed 0 dB full scale by 20 dB.
The four input channels can be mixed to a two-channel output bus over two sets of output connectors that can be individually configured as line, mic and consumer output levels. There is also a two-channel balanced monitor return and Mono & Tape outputs.
The mixer will run at all broadcast sample rates up to 192 KHz. Each input channel has a high pass filter, two variable notch filters, variable delay, and a soft knee compressor.
An AES input provides you with four sample rate converting inputs (2 x AES/AES42 pair). When present, the Maxx can mix eight inputs onto the stereo output buss.
Maxx output drivers are actively controlled. This maintains the maximum dynamic range at both mic and line level output. The Maxx headphone output is guaranteed to have the same dynamic range as the output. This ensures the camera audio quality is always consistent with what you’re hearing in the Maxx headphone monitor.
Recorder
Maxx comes standard with the ability to record the two-channel mix output on a CompactFlash or SD card (with CF adapter). Files can be recorded at up to 24 bit / 192 KHz with a dynamic range of 137 dB.
There is also a six channel recording option giving you the ability to record four pre-fader ISO tracks along with the two-channel mix.
Built-in RF Transmitter
The Zaxcom digital wireless stereo transmitter is included with the Maxx Fully Loaded This single RF signal carries two channels of audio and SMTPE timecode to any Zaxcom ENG style receiver, to receive and output timecode you’ll need a QRX100 with the QIFB option.
The Maxx’s built-in RF transmitter is designed to be used as a wireless camera link, this eliminates the possibility of level mismatch and audio distortion common to unbalanced connections between separate mixer and RF transmitter combinations. All audio is converted to the digital domain by the Maxx’s A-D converter with a dynamic range of 137 dB. When using the Zaxcom QRX100 the audio remains digital throughout the entire path to the camera input providing audio quality only a hard wired solution could match.
The RF signal is frequency block dependant, RF power output is 100 mW. A 24 MHz wide RF band pass filter eliminates interference to receivers in the sound bag. The filter takes the place of a Zaxcom FDP1 filter antenna.
Tech Specs
| Analog Inputs | 4 Mic/line-level with 48V phantom power and 2 line-level (camera return only) |
| Connector | 4 x XLR-3F (2 with .25” jack) |
| Mic Level Input Range | -56 to -26 dBu |
| Line Level Input Range | -10 to +8 dB |
| Distortion | 0.00% |
| Dual ADC Input Dynamic Range | 137 dB with NeverClip™ |
| Clipping Level | +28 dBu |
| Frequency Response | 20 Hz to 22 kHz (48 kHz sampling-rate) |
| Analog Outputs | 2 Balanced XLR, 0dBu, -10dBu and -30dBu 1 Balanced TA5 (2 Bus) 0dbu, -10dbu And -35dbu |
| Headphone 1 | 1/4 inch stereo bus |
| Output Level | 0 dBu @ -20 dBFS |
| Clipping Level | +20 dBu |
| DAC Dynamic Range | 115dB |
| Impedance | 30 ohm |
| Channel Count | 2 AES or AES42 pairs (4 channels) |
| Connector | DB-15 mini (DE-15) |
| Source | Mix/Direct |
| Sample Rate Conversion | 32-192 KHz |
| Power Output | 10 / 50 / 100 mW – Software Selectable* |
| Rf Modulation | Proprietary Digital Method |
| Rf Frequency Range | 518.0 to 850.0 MHz (Typical Blocks are 24 MHz wide) |
| Rf Frequency Step | 100 KHz |
| Rf Bandwidth | 200 KHz |
| Channel Separation | 500 KHz (700 KHz recommended) |
| Antenna Connector | 50 Ω SSMA Female |
| Emission Designator | 180 KV2E |
| FCC Part | 75.861 |
| Recording | |
| Track Count | 2 tracks (6 track optional) |
| Head Room | 20 to 44 dB |
| Format | MARF II, .BWF |
| Data Storage | |
| Internal | Compact Flash |
| External | NoneInternal Mixer |
| Mixer Type | 32 bit floating point DSP |
| Mixer Cross Point | 8 input x 4 output (Pre-fader / Post-fader / Phase Inversion) |
| Head Room | Selectable 12 to 20 dB |
| Effects | |
| Delay | 0 to 60 mS in .1mS steps |
| Notch Filter | 2 band, 20 Hz to 20 kHz frequency range adjustable |
| Compressor Type | soft knee with side chain |
| High Pass Filter | 20 Hz to 230 Hz |
| Timecode Type | SMPTE |
| Connector | BNC |
| Input Voltage | 1-4VPP |
| Output Voltage | 2VPP |
| Clock Accuracy | 1.54 PPM (1 frame out in 6 hours) |
| Timecode Frame Rates | 23.98, 24, 25, 29.97NDF, 29.97DF, 30NDF, 30DF |
| Power | |
| Internal | 6AA 7-9 VDC, 4 hours of usage (NiMH) |
| External | 8 to 18 VDC |
| External Power | 8 to 18 VDC ( 12V @260mA) |
| Power Connecter | Hirose |
| Battery Meter | Yes, on LCD display |
| Size | (H X W X D) 2.0" X 7.5" X 5.25" |
| Weight | 2.5 pounds |
| Display | Full color sunlight readable LCD |
| Meters | Output / Input / Card |
| Slate Mic | Internal |